There are now instruments like HALion and Groove Agent the WaveLab audio editor and Nuendo, very much Cubase’s high-end post- production big brother.
#Cubase 9 pro compressor software#
Do you really need all of that? Of course you do… Not just Cubaseįollowing the success of Cubase, Steinberg exploded into all sorts of different areas of music production, but software was always at the core. Other DAW users might feel scared to swap over to (or back to) Cubase.īut, Live and one or two others aside, the beauty of using Cubase is that you will most likely be familiar with most of its features, because the DAW you are using was probably inspired by it in the first place! And the icing on the cake is that after three decades of development, not only will it be familiar but it be probably be a slicker, more functional and totally smooth DAW experience than you have ever experienced before. Existing users don’t need to update, as they’ll have a good percentage of the features already, but somehow it seems churlish not to. Whether you need Cubase is another matter, as DAW choice is such a personal process.
Well, to clarify, yes, of course you need a DAW to make music (although some might even argue with us on this). So we pretty much have Steinberg to thank for the shape of the DAW that we use today, and for the instruments within it. Audio recording was introduced and then Steinberg invented the virtual instrument – okay, it did exist before, but you can easily argue that the Hamburg-based company brought it to the masses with the Virtual Studio Technology (VST) standard. Since then, Steinberg has hardly rested on its laurels. It was MIDI only back then, but it had note editing, drag-and-drop, copy and paste, duplicating, looping, transport controls, all the basics you Tracktion, Mixcraft, Logic (and far more) owners take for granted now, but this was happening three decades ago, no less. For the first time, you could see the tracks, the notes, the piano-roll editing in a style, it has to be said, that remains to this day on so many modern DAWs (we don’t, of course, call them sequencers any more).Ĭubase v1 arguably laid down the design template for music production for years to come – tracks top to bottom, song left to right – and did it all in glorious greyscale. I say ‘proper’, as I had been sequencing via hardware for a few years at that point, but that was all steps, numbers and symbols on screen – hardly the visual ‘song on a screen’ Cubase portrayed, even back at v1 on an Atari. Steinberg’s Cubase sequencer was my first proper introduction to the world of music technology.
#Cubase 9 pro compressor Pc#
#Cubase 9 pro compressor upgrade#
Price £480 £51 upgrade from v9 Contact Steinberg Cubase Pro 9.5 key features:
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